The choir’s flawless intonation, impeccable blend, marvellously pure intervals, seamless contrapuntal vocal movement and their careful emphasis on text delivered an exceptional concert.
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The choir’s flawless intonation, impeccable blend, marvellously pure intervals, seamless contrapuntal vocal movement and their careful emphasis on text delivered an exceptional concert.
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... as TS Eliot might have said, between the sheet music and the concert falls the shadow. Hearing Vaughan Williams’s little-known John Bunyan setting from 1940,
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The juxtaposition of works from the past and present emphasised the highly-professional quality of the choir, and their succinctness of tone and dynamics. Each work was demanding in its own right, and the security and ease shown by the choir in their dedication to each was particularly inspiring.
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A journey between tradition and modernity allowed the audience to listen, dream, be carried away and seemingly float on a bed of sound. A wonderfully satisfying experience!
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In “Bridge of Dreams”, the 18 young singers created a dazzling and wonderfully varied aural experience, using only their voices to build bridges between a range of centuries, styles, nations and beliefs.
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Dreams of Sound
The Australian Chamber Choir – a dazzling experience
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The choir has visited Wangen several times as part of its various international tours, and with their sophisticated sound and self-evident virtuosity, continue to astound their public with the most demanding choral repertoire. Baroque works stand opposite very modern choral pieces. The choir makes light work of switching from one style to another, surprising the audience with rousing spirituals as encores”.
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About one and a half minutes into Anne Boyd's work I closed my eyes ... and I was in heaven". Legnica, Poland
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A standing ovation from the large audience was rewarded with an encore. …the programme was particularly interesting due to the … works by Australian composers which the audience loved”
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The audience was overcome with admiration for the “angel-voices” of the Australian Chamber Choir.
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Douglas Lawrence, like a lion-tamer blends the voices of … 18 young hand-picked and … super-musical singers into a finely-tuned ensemble”
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‘I ain’t got long to stay here’: With these words the Australian Chamber Choir ended their Wednesday concert in Sorø’s Klosterkirke. And following their third encore, the American Spiritual, ‘Steal away’, the choir and their conductor, Douglas Lawrence processed down the long aisle of the abbey, with a standing audience applauding enthusiastically on either side.”
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Christine McCombe’s … captivating work was followed by the highlight of the evening: a finely crafted, riveting and transparent rendition of Bach’s motet for double choir Fürchte dish nicht
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The Australian Chamber Choir … presented as a professional and dynamic ensemble, whose 18 members navigated this demanding program with a firm sense of style and expressive delivery
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Building bridges with music
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The choir fulfilled the conductor’s intentions with exactitude, clarity and deep understanding. Exemplary intonation and astounding rhythmic precision are Lawrence’s hallmarks, to which the choir responds with beautiful, transparent and evocative soundscapes”.
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