This extraordinary concert … was breathtakingly moving. An inspired selection of pieces was programmed in a masterly way which would ensure the audience could only last the emotional distance with ample tissues to comfort the widespread flow of tears.
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… the audience knew they were in for a treat. The magnificent voices soared upwards filling the church, surrounding the audience with pure sweet sound. This impact is magical and leaves a lasting impression.
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... sung exquisitely ... this is a choir that Australia can be proud of.
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the soloists – Elspeth Bawden, Elizabeth Anderson, Timothy Reynolds and Oliver Mann – ably demonstrated a rich and colourful delivery of the intertwining texts, and the ACC gave us the full range of dynamic contrasts with unified control and sensitivity. The Offertorium was joyful, the Sanctus – Benedictus expressed a deeper spirituality with the choral basses shining with their “Osanna in Excelsis”, and Lawrence was in command of seamless tempo changes.
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Where the text spoke of anguish, pleading and torment, the ACC lifted in united energy and awe through the glorious triads and suspensions. Impeccable pitch and articulation of the text are a feature of the ACC’s performances, and throughout, the tempered contrasts of dynamics in response to the text was scholarly and splendid. It is a joy to hear the Stabat Mater – and with the grand final cadence “While my body here decays, May my soul your goodness praise, Safe in heaven eternally,” the ensemble affirmed a celestial height.
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For the Australian Chamber Choir, … an acknowledgement of a creative force that transcends faith and soars … with a devotion and assurance that is inspirational and affirming.
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Furchte dich nicht … by Bach … showed them worthy to be considered as world class.
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a dramatic concert which was both tremendously well-conceived and received
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the choir’s performance is magical, confident, dancing as one entity.
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The Coronation Gloria delivered a triumphal entry to the program with bold brass accompaniment and the choir in full and confident voice. The spine tingles started here.
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they created a sound that was as pure as crystal, beautifully blended, clearly articulated and unanimous in execution of phrasing and dynamics.
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The Australian Chamber Choir has made it a trademark to use its choristers as soloists, and this choice is justified given the depth of talent in its ranks. The ACC and Melbourne Baroque Orchestra treated a full house at Our Lady of Mount Carmel Church to a remarkably assured performance of Bach’s Mass in B minor … The choir and orchestra revelled in the joyous chorus movements, conveying both an understanding and appreciation of the music.
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This was the choir at its best – secure of entry, pure of intonation, its long phrases firmly moving forward and with excellent solo offerings in both the Sanctus and Agnus Dei.
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Chamber Choir take command of challenging work
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The choir’s flawless intonation, impeccable blend, marvellously pure intervals, seamless contrapuntal vocal movement and their careful emphasis on text delivered an exceptional concert.
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