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1. Mozart Requiem: The Scots’ Church, Sunday 22 April at 3pm

This is a rare opportunity to hear one of the greatest choral works, performed using the instruments of the composer’s time. Mozart’s basset horns, of which there is no modern equivalent, are heard from the first bar, adding their plaintive voice-like quality to the orchestral timbre. Written during the final weeks of the composer’s life for a patron who wished to remain anonymous, this unfinished work is shrouded in mystery.

  • Giovanni Pierluigi da Palestrina – Stabat Mater
  • Wolfgang Amadeus Mozart – Requiem


2. True Romantics: Our Lady of Mount Carmel, Middle Park, Sunday 24 June at 3pm

Why is light cast upon the sorrowful? These are the first words of Brahms’ Motet Op.74. And the answer unfolds as one listens to the program. Throughout history, when composers have dwelt on emotions of sadness and longing, they have produced some of the most movingly beautiful and uplifting music. 
The program includes:

  • Johannes Brahms (1833-97): Two Motets Op.74
  • Maurice Ravel (1875-1937) Trois Chansons
  • Edward Elgar (1857-1934) Lux Aeterna (an arrangement of Nimrod, from the Enigma Variations)
  • Samuel Barber (1910-81)  Agnus Dei (an arrangement of Adagio for Strings)


3. A Baroque Christmas

Choose from:
St Andrew’s Brighton, Saturday 8 December at 3pm OR
Our Lady of Mount Carmel, Middle Park, Sunday 9 December at 3pm

In European countries across the centuries, Christmas has been marked by vibrant and joyous music making. Serious composers would compete with each other to write music with the maximum popular appeal for adults and children alike. In this program, Douglas Lawrence presents his favourites from the late 1500s to the late 1700s.
The program includes:

  • Johann Sebastian Bach (1685-1750): O Jesulein süss, In dulci jubilo, Singet dem Herren
  • William Byrd (c.1539-1623) O magnum mysterium, Beata Viscera
  • Giovanni Pierluigi da Palestrina (1525-94)  Canite tuba, Dies sanctificatus
  • Luca Marenzio (1554-99) Hodie Christus natus est


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